Posts Tagged ‘lighting designer’

Lighting Design Awards 2019

Fabulous Lighting Design Enhancing Beautiful Buildings

I’ve just spent an indulgent hour looking through my beautiful glossy Lighting Magazine Special Issue for the Lighting Design Awards 2019. So much that is beautiful, so much that is now linear.

What struck me most of all is the indelible fact that neither architecture or lighting stand on their own but are intrinsically entwined. A beautiful building can be enhanced by taking advantage of natural light or by the addition of clever and artistic artificial illumination. And whilst a dull building can be enhanced by beautiful lighting the full panoramic beauty of perfect lighting design only comes to the fore when the quality of architecture and lighting are brought together in perfect harmony.

And that’s what these awards illustrated. Here are a few of my favourites.

Hotel Project of the Year – Winner – Muh Shoou Xixi Hotel

Ethereal and delicate. Wonderful use of linear lighting where the magic of the night is retained and the lighting would complement a full moon. Lighting design by Prolighting

Integration Project of the Year – Shanghai Sunac Sales Center

Where would the building be without the lighting?  How could this fabulous lighting design have been created without this stunning building?  Design by Bradston Partnership

Retail Project of the Year – T2 Luxury Mall, Melbourne Airport, Australia

Reminds me of origami – perfectly folded. Perfectly lit. Lighting design by Electrolight

Heritage Project of the Year – International Presbyterian Church, Ealing, UK

Soft linear lighting combined with the rhythm of conical uplights accentuating the fabulous shape. Lighting design by 18 Degrees

NB There were many other fabulous designs. For further information visit Lighting Design Awards


Lighting a long hallway

How to Light a Hallway

How do I light my hallway?

A question that is often asked when planning lighting for the renovation of a home or a new-build project.  For a relatively small percentage of a house this area will have a great impact on the feel and flow of a building.

I start by looking at a lighting project as a journey.  It may help to literally close your eyes and imagine opening the front door.  What are you greeted by?  What is the feeling you want to create?

Analysing the following points can help you get it right.

Main Entrance Hallway

Is this the main entrance to your home that your visitors will see first or is it a transitional space or back hallway?  Is it situated on the ground floor with ample natural light or in a dark basement?

Think of how the space is being used.  It’s often useful to have a console table which allows for a surface for placing necessities, perhaps with a mirror above for checking the tilt of your hat before leaving the house.  If the space is large enough a lamp or two can work well to soften the area; if the hallway is tight then a wall light, or two wall lights either side of a mirror can help to lower the lighting to create warmth.

 

Lighting a classical hallway

Proportions

How high is the ceiling in proportion to the length and width of the space? What greets you at the end?  Over a decade ago I did the hallway (left picture) in a basement leading to a playroom/teenagers’ den. Would I do it differently today? Absolutely!

These days we have some wonderful LED profiles which can either be incorporated into a shadow gap or could be placed centrally to cast light on one or both walls. The downlights were not the ones I specified and should have had wide beams to create an even flow of light on the wall.

What I wouldn’t change is having some focus on the blank wall ahead.  Here we put a Large Button wall light by Flos  as this picked up on the theme of a further row of buttons in the den.  The wall lights are the Pochette also by Flos

The corridor on the right was a lower ground floor area which would be used for parking bicycles and surfboards so had to be robust and serviceable.  There wasn’t any void in the ceiling above so we created boxing to accommodate downlights on one side and exterior bulkhead wall lights on the other which could withstand being knocked a bit. (Unfortunately these are only snapshots and were taken when my clients were moving in so a huge amount of stuff was lined along one side of the space.)

Artwork and Artifacts

These bring individuality and personality into a space and lighting can be incorporated in a display area if there is enough depth.  Light can be washed onto paintings or family pictures which in turn will bounce light back into the hallway and this can be done either with angled downlights or picture lights which can be very slim an unobtrusive these days.  For the best contemporary picture lights that I know visit Hogarth Lighting. They supply a fabulous array of picture lights and will even tweak the tone of light to compliment your painting.

Floor and Wall Surface

Do you know the finish and colour of your flooring and walls?  This will have an impact on how much light will reflect within the area.  For example, if you place inground LEDs to wash up a wall this will have a much greater effect if the surface is textured and a light colour.

Niches and Recesses

These can add a depth to the space and can often be factored into the build if the project is a self-build or a major renovation.  Lighting can be incorporated into these areas to illuminate objects or can simply be architectural features that can bounce slots of light back into the hallway.

Above all it is important to make the hallway personal and although it can be useful to look at magazines and Instagram always remember that this space is your own and should feel like Home.

 

 

 

 


Lighting Designer or Lighting Consultant

What’s the difference between a Lighting Designer and a Lighting Consultant

Your new-build project is progressing and you turn your mind to designing a lighting scheme. Who do you contract to do this work – a lighting designer or a lighting consultant?  Here is a bit more background information.

Lighting Designer – Product Design

A Lighting Designer can be someone who designs the architectural light fittings and the luminaires that we include in our projects. For example Tom Dixon who has a wide range of his own lights as well as other products he designs, Marc Sadler who has designed several renowned luminaires including Foscarini’s Jamaica and of course our own Tom Raffield who creates beautiful bentwood fittings  such as the Butterfly.

These lighting designers concentrate on product design and therefore their speciality is not designing lighting schemes.

Lighting Designers – Theatrical

Lighting Designers can also be specialists in theatrical lighting including opera and rock musical shows. These designers think big and bold and you can’t get much more impressive than Patrick Woodroffe and Adam Bassett http://woodroffebassett.com who made a lasting impact at the London Olympics and continue lighting rock concerts and classical productions throughout the world.  Other notable theatrical lighting designers are Mark Henderson and Paule Constable to name a few.

Excellent lighting in theatrical productions is absolutely critical – get it wrong and the whole event is lacklustre and dreary no matter how impressive the production itself.

Architectural Lighting Designers

These are designers who primarily design larger projects such as offices, museums, shops, hotels, restaurants and larger residential complexes. For example Stanton Williams who recently carried out the lighting for Musée d’arts in Nantes and Maurice Brill Lighting Design who have done a plethora of international projects such as the Lanesborough Hotel in London and the Gritti Palace in Venice.

These types of lighting designers are very high end and any residential projects taken on would be exceptional as their work schedule is primarily taken up with the larger design jobs.  All lighting designs would closely co-ordinate with other design mediums using BIM and their specialism is design only, not supply.

There are other types of lighting designers who concentrate more on residential lighting and generally work on the premise that they will design the lighting with the assumption that they will also supply the fittings. John Cullen Lighting for example have some of their own products manufactured to their specifications but also supply architectural lights from other suppliers to which they allocate their own codes.  Although this means that ordering is relatively easy it also gives less flexibility for the client if the electrical contractor wants to supply direct from the manufacturer.

At Luxplan we work more as Lighting Consultants as we don’t supply the fittings and all our schemes are produced with full transparency so that clients can purchase the products themselves. However, we will also call ourselves lighting designers as that is the most general term used.

 


Designer Lighting: Is it Diminished by Over-Exposure?

Designer Lighting

Scenario: You’ve just spent £600 on a designer pendant light for your new-build home and then you walk into your local McDonalds and see it hanging just near the stand for the ketchup and straws. How do you feel?  Luckily I hadn’t just bought such a designer light and I hadn’t specified the light for a client but I did walk into the local takeaway to see this very much admired designer piece on full display and somehow, well, it just doesn’t feel the same any more.

So why do we buy designer items? Is it the form, the cut, the ergonomics?  Or is it the exclusivity which is usually linked to the cost?  In other words the pricier the item the more exclusive, ie fewer people can afford it so therefore seen less.  But then large chain outlets will have big clout – they’ll be buying in quantity and, if rolling out the same design throughout the country, will undoubtedly be placing substantial orders with the producers which means that they can specify lighting without being overly concerned with the cost.  But is it short-sighted of the design houses to supply to large chain outlets and does it ultimately have a negative impact on the way their products are perceived?

Above are some snapshots of designer lights that I have encountered on the high street. I love all these light fittings and I’m not here to name and shame any of them as they enhance our shopping and eating experience but to be honest I would think twice before specifying them for a client, or I would at least warn them!

What do you think?